Reviews
THE MAGNOLIA BALLET Alleyway Theatre
By
Sep 28, 2022, 21:09

Through October 1
THE MAGNOLIA BALLET Alleyway Theatre

It was writer William Faulkner who commented “The past is not even past.”
As a writer from Mississippi, he was talking about his state when there were probably still some Confederate veterans around and the state’s flag included a Confederate battle flag until 2020.
The rural Georgia of Terry Guest’s “The Magnolia Ballet” is probably about the same, a town where both the Black and the White fathers talk about the way they were beaten by their fathers because they, in turn, had been beaten by their fathers.
The White teen in the story, Danny) (Shawn Adiletta), wears a Confederate uniform jacket made for some re-enactment from the early years of the 20th Century, when the “Lost Cause” myth was hardening into fact.
He shows it to his close Black friend, Ezekiel Mitchell VI (Nigel Reynolds), who doesn’t like it much but knows enough about their Southern town not to push the issue.
Early in the show, Zeke’s father Ezekiel V (Richard Satterwhite) talks about how ingrained the family violence is because it’s just the way things are.
Satterwhite also plays Danny’s father, the White overnight cop in the town, who also beats Danny because that’s the way things are done.
There are two wild cards, both Danny and Ezekiel are gay and still grappling with it and playwright Guest has the Apparition (Dennis Wilson), who fills in as all sorts of personalities from the past of the two families, giving characters someone to talk about issues.
Both fathers know passing domestic violence down to the next generation is a bad idea but it’s so ingrained in them and in their family structures they can’t resist.
The core of the show are Danny and EVI’s sexual issues, something which doesn’t go over well with the dads, although they aren’t quite sure what’s going on.
Sex is one of those adolescent things and parents are never comfortable with that.
As is so often true, Satterwhite dominates the show, partially because the role is written that way and also because he’s such a great actor.
We don’t see enough of him on stage in season, probably because he has an outside life and career.
The biggest problem with the production is Reynolds, who shows real promise as an actor IF he could be heard and he, so often, can’t.
There’s no reason for that in the Alleyway.
It’s not that big a performance space.
Director Carlos R. A. Jones has been around and must have been aware of the problem but possibly couldn’t figure out what to do and putting mikes on everyone in the Alleyway would have been silly.
Maybe by next weekend, there might be a solution but there is no excuse because Satterwhite and Adiletta are perfectly audible.
“The Magnolia Ballet” is an interesting play and worth seeing but if nothing has been done about Reynolds, choose the front row.

A.W.


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